From my characters.
"And where do your characters come from?"
From parts of me.
Often, a character will enter my head before his/her story will. Long before I knew Fury's story, I knew her. She came from a part of my life that we'll just sum up with the word "awful". She suffers from all the things that I suffer from, and I hoped that by telling her story and making her overcome some of her inner issues, not only would she grow as a character, but I would grow as a person.
I'm not sure if that makes sense, but bear with me.
You would think that the writer of a story knows exactly what is going to happen, how it is going to happen, and why it is going to happen. In my case, that's not really true. Often, I just have a vague idea, and my characters drive me toward it--often making unexpected moves along the way. Since that is the case, not only do the characters learn as they go along, but I do to.
I learn from them.
Now, in "Fury" there is a lot of emotional/moral conflict. When I wrote it, I probably didn't even realize it, but looking back I'm able to pick it all out. And I can learn from it.
"Fury" is currently going through some major revisions, and a lot of things are getting cut. A story that started out at 119,000 words in its first rough draft, is now down to 112,000. And I'm not even halfway through. My problem--which I believed stemmed from the issues I was having in my personal life at the time--is that the story is not very active. There is a lot of inner dialogue. A lot of introspection. But my characters don't DO anything very much. I'm changing that. Not only to keep the reader's interest, but because I realized that the story is not one to be told passively. That's not its message. Characters--and people--don't change through thinking about things and just sitting around waiting for stuff to happen, they go out and do something about it.
I tend to be a passive person, but I didn't realize how much it reflected in my writing and in my characters. Fury, instead of being the active, in-your-face heroine I wanted her to be, was a mopey damsel in distress who took a total of two stands in the entire book. And even afterward she went on being passive. That's not her, and that's not the story. So I'm changing it. It means A LOT of revisions, but it will be worth it.
Because she deserves more, and I can finally recognize that.
When I have I go though a period in my own life where I'm struggling with strong or overhwhelming emotions I always stop and think, Wow, I need to capture these feelings into a character.
ReplyDeleteSo that's definitely where I get a lot of my ideas from.
How true! All of above!
ReplyDeleteMy characters are parts of me... and parts of friends and family and colleagues over the years.
I often find myself surprised by something I've written - something I made a character say or do, but that's right up there with what you said about getting ideas from characters!
Then, later - if I think about it - it's no surprise to me that a character based on X said or did exactly what X would have in similar circumstances.
Cheers, Jill
www.jilledmondson.blogspot.com